I. BOOKS AND ARTICLES.

A brief commentary on Selected Hymns and Carols. Evanston, Ill., 1936 (Northwestern University Information, V, 11)

"The catholic support of foreign missions," The Second Catholic Congress. Addresses and Papers. Milwaukee, October 12-14, 1926.

Christian Education for Women; an address delivered at St. Mary's School. [Peekskill] June 10, 1913.

Church Music in History and Practice; Studies in the Praise of God. New York, Scribners, 1937. p. 311 (The Hale Lectures)

"The civic symphony as an educational project," MTNA Proceedings, 34th series (1940), 31-41.

Concerning the monastic breviary [n.p.] p.4.

"The diocese of Colorado and its first bishop," Historical Magazine of the Protestant Episcopal Church, V (1936), 325-34.

"Early hymnody of the American Episcopal Church," Historical Magazine of the Protestant Episcopal Church, X (1941), 202-18.

"The history and work of the Schola Cantorum," MTNA Proceedings, 8th series (1913), 248-60.

The Midnight Mass, poems and translations. New York, Oxford University Press, 1933. p. 82.

"Missals in the Protestant Episcopal Church," The Churchman, CXLIV (July 25, 1931), 11-12.

"A note on the Roman Schola Cantorum," Anglican Theological Review, V, 1 (May, 1922), 13-20.

"Notes on the New Hymnal," The Living Church (December 3, 1921--December 16, 1922).

The Order of Priesthood. Undated sermon.

"The Oxford Movement and church music," The Cathedral Quarterly, VIII, 3 (July, 1934), 13-18.

"The pedagogic value of the new movement in hymnody," MTNA Proceedings, 14th series (1919), 68-77.

"Plainsong," MTNA Proceedings, 4th series (1909), 80-92.

"Plainsong at Peekskill," The Catholic Choirmaster, XII (1926), 10.

"The relation of church music to ecclesiastical architecture," MTNA Proceedings, 16th series (1921), 91-103.

St. Mary's Messenger, the bi-monthly journal of The Community of St. Mary, published a number of his sermons, retreat addresses, and poems.

A sermon preached in St. Mark's Church, Philadelphia, on November 16, 1929, after the solemn high Mass of Requiem for the repose of Lewis Alexander Wadlow, organist and choir master, 1915 to 1929. [n.p.]

The Syracusan during the years 1888-1892 contained a number of articles and poems. Not all of the latter were included in his anthology, The Midnight Mass.

II. LITURGIES AND PLAINSONG EDITIONS.

The Antiphons of the Blessed Virgin Mary, newly translated and adapted to their melodies. Peekskill, Community of St. Mary, 1929.

Reprinted from The Monastic Diurnal Noted. Kenosha, Community of St. Mary, 1952.

Asperges Me, for use as a general introit . . . adapted from the Latin text and transcribed into modern notation. New York, J. Fischer & Bro., 1910.

Cantica Eucharistica, choral devotions to the Blessed Sacrament. Plainsong notation. New York, J. Fischer & Bro., 1910, also 2nd edition, 1910.

3rd edition, revised and enlarged. New York, H. W. Gray Co., 1923 (St. Dunstan Edition)

4th edition. Kenosha, Community of St. Mary, 1955.

The Canticles at Evensong, together with the Office Responses and a table of Psalm-tones. Plainsong notation. New York, H. W. Gray Co., 1915.

The Canticles at Matins, pointed for chanting, with a table of Psalm-tones. Plainsong notation. New York, H. W. Gray Co., 1916.

The Ceremonial Noted, occasional Offices of the Community of St. Mary, with the plainsong. Peekskill, St. Mary's Convent, 1923.

Cibavit eos, introit for Corpus Christi and forgeneral use. Modern notation, [n.d.]

Compline. The Cambridge Conference for Church Work. Modern notation. [n.d.]

The Wellesley Conference for Church Work. Modern notation. [n.d.]

With the chant adapted to English words from the Antiphonarium Romanum for the use of Nashotah Seminary. Plainsong notation. New York, J. Fischer & Bro., 1910 and 1920.

Credo I. The ancient melody of the Nicene Creed. Plainsong notation. New York, H. W. Gray Co., 1915. (St. Dunstan Edition)

Credo II. The popular melody from Missa de Angelis. Plainsong notation. New York, H. W. Gray Co., 1915. (St. Dunstan Edition)

The Day Office of the Monastic Breviary, translated into English and adapted to the kalendar and Missal of the American Church. [Text only] Peekskill, Community of St. Mary, 1918.

The Kyrial, or Ordinary of the Mass, with Plainsong Melodies Edited and Adapted to the English Words.
New York, H. W. Gray Co., 1933 (St. Dunstan Edition)

Merbecke Communion Service, newly adapted to the American liturgy. Plainsong notation. New York, H. W. Gray Co., 1915 and 1922.

Modern notation. 1922 and 1933.

Organ accompaniment. 1915, 1922, and 1933.

Missa de Angelis, a plain chant service in the Fifth Mode, adapted to the American liturgy. Modern notation. New York, J. Fischer & Bro., 1909, 1910, and 1911.

Plainsong notation. New York, H. W. Gray Co., 1915.

Modern notation. 1920. 4th edition, revised. 1929.

Harmonized in modern notation. Organ edition. New York, J. Fischer & Bro., 1911.

4th edition, revised. New York, H. W. Gray Co., 1929.

Missa Dominicalis, a setting of the Holy Eucharist for Sundays after Trinity and Epiphany. Plainsong notation. New York, H. W. Gray Co., 1915 and 1932.

Modern notation. 1932.

Organ edition. 1932.

Missa Ferialis. Plainsong notation. New York, H. W. Gray Co., 1915. issfl Marialis, a festival service for the Holy Eucharist, adapted to the American liturgy. Modern notation. New York, J. Fischer & Bro., 1911.

Plainsong notation. New York, H. W. Gray Co., 1915.

Modern notation. New York, H. W. Gray Co., 1915, 1933, and 1948.

Organ edition. New York, J. Fischer & Bro., 1915.

New York, H. W. Gray Co., 1915 and 1948.

Revised edition, in The Hymnal 1940.

Missa Paschalis, an Eastertide service for the Holy Eucharist, adapted to the American liturgy. Plainsong notation. New York, H. W. Gray Co., 1915.

Modern notation. 1915, 1916, and 1927.

Organ edition. 1916. 2nd edition, revised. 1927.

Missa Penitentialis, an Advent and Lenten service for the Holy Eucharist, adapted to the American liturgy. Plainsong edition. New York, H. W. Gray Co., 1915 and 1927.

Modern notation. 1916, 1927, and 1955.

Organ edition. 1916 and 1955.

Missa pro Defunctis, a plain chant Requiem. . . adapted to the American liturgy. Plainsong notation. New York, J. Fischer & Bro., 1910.

New York, H. W. Gray Co., 1922.

Modern notation. 1932.

Organ edition. 1929 and 1932.

Missa Rex Splendens. Plainsong notation. New York, H. W. Gray Co., 1915.

Missa Simplex. Plainsong notation. New York, H. W. Gray Co., 1915.

Missa Solemnis. Plainsong notation. New York, H. W. Gray Co., 1915.

The Monastic Diurnal, or, Day Hours of the monastic Breviary according to the holy rule of St. Benedict, with additional rubrics and devotions for its recitation in accordance with the Book of Common Prayer. London, Oxford University Press, Humphrey Milford [1932] Reprinted 1935.

The Monastic Diurnal Noted; music of Vespers, the little Hours, and Lauds of greater feasts, adapted from the original plainsong. Kenosha, St. Mary's Convent, 1952.

The Order of Matins, according to the use of the Community of St. Mary, together with Lauds of Tenebrae, Lauds of the Dead, the Gradual Psalms, and the Litany. [Words only] Peekskill, St. Mary's Convent, 1916.

Revised edition. 1943.

Ordinary and Canon of the Mass, with music, [n.p.] 1925.

[Words only] 1925.

Palm Sunday [propers and hymns for the Community of St. Mary] Plainsong notation, [n.d.]

The Patronal Feast [propers and hymns for the Community of St. Mary] Plainsong notation [n.d.]

The Proper Offices of the Sisters of the Holy Nativity, with music, [n.d.]

A Provisional Tonale [n.d.]

Te Deum Laudamus, the festival chant newly adapted [in English] from the Vatican Antiphoner. Plainsong notation. New York, H. W. Gray Co., 1915.

Veni Creator Spiritus, with Bp. Cosin's paraphrase and a complete translation, set to the Sarum melody and harmonized. Plainsong notation. New York, J. Fischer & Bro. [1909]

The Vesper Psalms, pointed for chanting to the melodies of the St. Dunstan Tonale [n.p.] 1916 and 1924.

As I out rode this endris night; carol for mixed voices [and organ] the first Coventry carol. New York, H. W. Gray Co., 1938 (Church Music Review, no. 1542)

Unison edition.

The Bread of the Needy, anthem for men's voices [in 4 parts, with organ accompaniment] Composed for the annual service of C.A.I.L., Trinity Church, N.Y. [1892]

Four ninefold Kyries. New York, H. W. Gray Co., 1933 (Church Music Review, no. 1246)

Heliotrope; 4 part chorus for women's voices [unaccompanied] the words by Frank Dempster Sherman. New York, H. W. Gray Co., 1916 (Modern series, no. 65)

I Sing of a Maiden; 15th century carol for 3 equal voices. New York, H. W. Gray Co., 1933 (Church Music Review, no. 1245)

Liturgia Americana, a festival Mass in C [unaccompanied] New York, H. W. Gray Co., 1954.

Magnificat [for mixed voices in 8 parts, unaccompanied] New York, J. Fischer & Bro., 1939.

O Esca Viatorum, motet for men's voices [in 3 parts, unaccompanied] New York, H. W. Gray Co., 1926.

Sanctus [for 3 equal voices unaccompanied] [Mimeographed]

Two Hymn Preludes [for organ] I. Advent: Hymn prelude on Breslau. II. Epiphany: Hymn prelude on Stuttgart. New York, H. W. Gray Co., 1947.

Two Lenten Preludes [for organ] I. Choral prelude on "Herzlich thut mich verlangen". II. Partita on "Stabat mater dolorosa". New York, H. W. Gray Co., 1942 (St. Cecilia Series, no. 684)

Two responses for mixed voices [unaccompanied] I. Jesus saith to his disciples. 2. I heard a voice from heaven. New York, H. W. Gray Co., 1947 (Church Music Review, no. 2031)

A number of hymn tunes, largely unpublished, of which St. Dunstan's, first published in the Episcopal Hymnal of 1918, has achieved widespread acceptance.

The Chorales from the Organ Works of Brahms, edited and harmonized for chorus of mixed voices, with an introduction on the organ music of Brahms. New York, H. W. Gray Co., [1945]

[Eleven] Spanish Sacred Motets by the great masters of the XVI century, edited by Kurt Schindler, English words translated and adapted by Winfred Douglas. Boston, Oliver Ditson Co., 1919-21.

The Penitent Thief, by A. Kastalsky, the English words adjusted. . . New York, H. W. Gray Co., 1922 (Church Music Review no. 644)

Songs of the Church, consisting of 15 anthems for mixed chorus by Sergei Rachmaninoff, Opus 37. Edited with the English text. New York, H. W. Gray Co., 1920.

[Thirteen] A Cappella Choruses from the Russian Liturgy. . . edited with English text. New York, H. W. Gray Co., 1913-22.

The Mission Hymnal. 1913.

Hymns for Missions, [n.d.]

A Missionary Service Book. 1932 and 1937.

Selected Hymns and Carols. Northwestern University, 1936 and 1939.

The New Hymnal. 1916-20.

The Hymnal 1940. 1943.

The Altar Book, with liturgical music for Holy Communion. 1928.

The American Psalter [Anglican chant] 1930.

The Choral Service, a manual for clergy and organist. 1927.

The New Proper Prefaces. 1925.

The Plainsong Psalter. 1932.

Selected List of Anthems. 1927.

Selected List of Works Relating to Church Music. 1927.

List of Hymns for Sundays and Holy Days. 1931.

Project Canterbury