Project Canterbury
A Guide to the Divine Liturgy in the East
Being a Manual for the Use of English Churchmen Attending the Celebration of the Eucharist according to the Rites of the Holy Orthodox Eastern Church
By Athelstan Riley, Seigneur de la Trinité
London and Oxford: A. R. Mowbray & Co., 1922.
PREFACE
SOME years ago I published A Guide to High Mass Abroad, which has gone through many editions and evidently met a real need. In the Preface to that little work it was stated that "should this attempt to make the Latin Liturgy intelligible be appreciated, the writer hopes to edit a similar volume containing the Liturgy of St. Chrysostom, for the use of travellers in Russia, Greece, Turkey, and other countries within the jurisdiction of the Holy Orthodox Eastern Church." That hope has been long unfulfilled, partly because a sufficient demand for such a Guide seemed doubtful, partly because the task of conducting an Anglican through the Latin Mass was easy compared with that of making plain the way through an Eastern Liturgy. But now the Eastern Church, as the result of the Great War, has been brought into contact with the Church of England at many points, the general interest in Eastern Christendom has been so greatly stimulated amongst us, that the publishers have thought that the venture might be made, and I have therefore determined to embark upon the task.
The form of the book is that proved to be useful in the Guide to High Mass Abroad, i.e. a complete version of the Liturgy on one page, and on the opposite only that part which is audible to the worshipper; there is no doubt that the overlapping of these parts, the priest saying one thing while the choir is singing another, is what renders "services abroad" so perplexing to those who are only accustomed to the use of the Book of Common Prayer. But there is one departure from the original model; the whole is given in English alone, except two or three common responses in the litanies which are printed phonetically in Greek and in Slavonic—the two chief liturgical languages of the Eastern Church—in order to assist the English reader in regaining his track when he has temporarily lost himself.
I have, in conclusion, to acknowledge my obligations to my friend Archdeacon Vladimir Theokritoff. This edition of the Liturgy is not a critical or merely literary edition, but a presentment of the service as it is actually celebrated at the present day; the assistance given me by one whose life’s vocation it is to take that prominent part in the splendid ceremonial of her Eucharistic Service which the Eastern Church assigns to her deacons has been of the greatest value and merits my most sincere gratitude.
A. R.
INTRODUCTORY NOTES
IN the Holy Orthodox Eastern Church three liturgies are in use, St. Chrysostom, St. Basil, and the Presanctified. The last, which is practically a Communion added to Vespers (those familiar with the Latin rite will remember that in the West the association of the Mass of the Presanctified with Vespers is very close), is said throughout Lent on Wednesdays and Fridays and also on Monday, Tuesday, and Wednesday of Holy Week. The Liturgy of St. Basil is celebrated on all Sundays in Lent except Palm Sunday, on Maundy Thursday, Easter Even, the vigils of Christmas and of the Epiphany, and on the feast of St. Basil (January 1st). The Liturgy of St. Chrysostom is therefore the normal liturgy. St. Basil, from which St. Chrysostom was probably derived, hardly differs from it except in the priest's prayers, which are longer, and the reader will have no difficulty in following it from the Guide. The Liturgy of the Presanctified is constructed
On Good Friday no liturgy is celebrated on somewhat different principles. But even here there are the two Entrances, many of the prayers and litanies are the same as in St. Chrysostom, and when the stranger has mastered the latter, and bears in mind that the Presanctified is a Communion without a consecration, he will not find himself wholly at a loss. [Thus the Great Entrance is the procession, not of the unconsecrated bread and wine, but of the Reserved Sacrament. In this case the priest hears it, the deacon walks backwards, ceasing, whilst the choir chant in the place of the Cherubic Hymn: Now the Heavenly Hosts minister invisibly with us, for, lo! the King of Glory is borne in. Behold the Mystic Sacrifice having been Perfected is attended by angels. With faith and love let us approach that we may be partakers of life eternal.]
The Liturgy of St. Chrysostom as it stands to-day is hardly the work of the great bishop whose name it bears. We have certain liturgical references in St. Chrysostom's writings to the rite used in Constantinople, and the portions he notes are still in use. The Liturgy of St. Basil is almost certainly earlier and the work of Basil himself. An old rite of some kind was in existence at Constantinople from the foundation of the see, St. Chrysostom may have assimilated it to St. Basil, so that the two liturgies to-day are very closely allied. From time to time developments and accretions have occurred, the chief of which we are able to trace, and some of these are discussed in the foot-notes to this Guide. Unlike the Roman Liturgy, which is evidently a composite rite, showing structurally what in geological language may be termed "faults," the great Eastern Liturgy has grown like a living organism; as a plant develops from a sapling into a majestic tree, so this rite has developed in language and ceremonial until it has become the splendid service we witness to-day. In the perfection and balance of its parts—language, ceremonial, and music—it is doubtful whether anything exists in the world so beautiful, so powerful in its appeal to the aesthetic sense of mankind, as the Eastern Liturgy as celebrated in the churches of Russia. [Russia in particular, because the Russian people are very highly endowed with musical gifts and with religious fervour.] And, if the old chroniclers are to be believed, it was the celebration of the Liturgy of St. Chrysostom in the Great Church of Constantinople which converted Russia. The envoys of the Grand Duke Vladimir, sent to the West to search for a new religion, were present at the celebration of the Eucharist by the Patriarch in the presence of the Emperor in St. Sophia. On their return to Kieff they reported: "We no longer knew whether we were on earth or in heaven, we saw such beauty and magnificence that we know not how to tell of it," and the result was the baptism of Vladimir and his people en masse in the river Dnieper a thousand years ago.
The Office of the Prothesis marks a definite step in the development of the liturgy. Anciently, it would seem, the Holy Gifts were prepared during the liturgy at the offertory. But at some period—about the sixth century—this preparation became a separate service before the liturgy began. It gradually became longer and more complicated and symbolic, until it assumed its present shape in the fifteenth century and the beginning of the sixteenth. It is not printed in this book as it does not take place in the sight of the congregation, being an office for the priest and deacon alone. It is sufficient for the reader to know that the chalice carried by the priest at the Great Entrance has been already mingled, and that the paten borne on the head of the deacon contains the Eucharistic Bread divided into the memorial of Christ, called the "Holy Lamb" (and alone subsequently consecrated), and the memorials of the Blessed Virgin, the Old and New Testament saints, the living and the departed; members of the congregation bringing little loaves to church from which morsels are cut for their special remembrances. What is left unused of these loaves is in many places distributed after the service to the congregation as the antidoron. The Eastern Church always uses leavened bread for the Holy Communion.
An Orthodox Eastern church is divided into two main portions—the sanctuary and the nave—by a high and solid screen, called the iconostasis. This is a development from the earlier screen, or curtains, with which the altar was shrouded from very early times, dating from the great iconoclastic controversy of the eighth century, and called the iconostasis because on it are the icons, or pictorial images, of Christ, the Blessed Mother, and the saints. In the centre of this screen the Royal, or Holy, Doors give direct access to the Holy Table, standing in the midst of the sanctuary. On the south side of these doors is the icon of Christ, and on the north that of the Blessed Virgin. A smaller door in the screen, toward the northern end, opens on to the Table of the Prothesis, at which the Holy Gifts are prepared before the service, and where they remain until the Great Entrance. No instrumental music is permitted in the Eastern Church, and seats are almost entirely absent. The language of the services varies with the nationalities into which the 120,000,000 of the Orthodox Church are divided. But as the old Slavonic language serves the numerous Slav nations, including the Russian, Slavonic and Greek largely cover the ground.
A few hints are given below to aid the beginner in following a service which is of so unfamiliar a type that it cannot help presenting considerable difficulties to him.
1. The hour at which the liturgy is celebrated varies so much in different circumstances and different countries that no rule about this can be laid down; it is, however, rarely later than ten o'clock.
2. There is only one liturgy in any church or chapel on the same day (the Western custom of a High Mass, supplemented by Low Masses, is quite unknown). At this all the clergy attached to the church take part, the priests concelebrating, or assisting round the altar, in place of each celebrating his own liturgy according to Western use. [In the Eastern Church there is a permanent diaconate, and it is assumed that there will always be a deacon to assist the priest. In default of a deacon his office is performed as far as possible by the celebrant or another priest. But the Western custom of a priest wearing a deacon's vestment and acting as a deacon is quite unknown.]
3. Avoid, if possible, a pontifical liturgy. This is excessively complicated and the beginner will find a simple parochial liturgy with priest, deacon, and a reader quite complicated enough.
4. Try to be in time for the liturgy and to note its commencement, remembering that there is usually a service somewhat analogous to our Morning Prayer before it. The deacon coming out and standing before the Royal Doors and the commencement of the singing by the choir will give some sort of a clue. At the end the liturgy often melts away into some other service, but this is not of such importance.
5. Watch the deacon carefully. He is a very important minister, ceremonially and musically the most important. It is his business to lead the devotions of the congregation, let him. lead yours; if you compare his movements with the ritual notes in this Guide you will soon find out where you are in the service.
6. You can hardly mistake the deacon. He wears an ungirded albe of coloured brocade (not white linen), and his stole hangs down straight, back and front, from his left shoulder (except in the case of an archdeacon, who wears it a little differently). His normal place, when not inside the sanctuary with the priest, is in front of the Royal Doors. The priest remains, with few exceptions, in the sanctuary, and you do not see so much of him. His vestments are very similar to the Western Eucharistic vestments, but the chasuble has been lengthened behind and cut away in front (not, as with us, at the sides) until it bears a close resemblance to a cope.
7. Look out for the two Entrances; you cannot mistake them, and they mark definite points in the service. Also note carefully the opening and the shutting of the Royal Doors; they also serve as sign-posts. In the Guide this information is printed in Clarendon type to facilitate reference.
8. Standing is the usual attitude of devotion in the East; if obliged to sit through weakness you will probably find a seat along the walls. As to kneeling, custom varies very much. The Russians usually kneel at the Great Entrance for the first part of the Cherubic Hymn, at the Sanctus till after the Consecration, and for the Lord's Prayer. But all this is a matter of private devotion. The self-conscious Englishman must try to realize that nobody is looking at him and nobody cares about what he does. Let him only behave quietly and reverently and all will be well. He need not kiss icons, or cross himself, or bow and prostrate himself unless he so desires, and he will be wise not to do these things unless they really spring from a genuine devotion.
IT IS TIME TO SACRIFICE UNTO THE LORD.
Exclamation of the Deacon at the close of the Office of the Prothesis.
THE DIVINE LITURGY OF OUR FATHER AMONG THE SAINTS, JOHN CHRYSOSTOM
I. THE LITURGY OF THE CATECHUMENS
On this side is printed all that is said out loud or sung. |
On this side is printed the entire Liturgy, whether audible or not. |
The Deacon comes out from the altar through the north door, and standing before the Royal Doors, which are closed, makes three reverent inclinations. |
The Deacon, standing before the Royal Doors, says secretly: |